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Why is there NO LINK to FLR on the https://www.flowrestling.org/ web page.  I can only find on Twitter.

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FRL should start by hiring a sound engineer who understands how to level the volume of the various participants. Put the thing on a short delay and make it listenable.

Screaming, soft talking, screaming, soft talking doesn't work very well.

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9 hours ago, Yellow_Medal said:

The more pressing question is, when you are on the Flowrestling homepage, and you click on the logo/home button, why doesn't the page reload like EVERY OTHER WEBSITE ON THE INTERNET!!??

I think it is because there hasn't been a software developer at Flo for over a year.  When they pared down the site to its current form, there was obviously a massive layoff.

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On 4/16/2019 at 9:31 AM, BobDole said:

I'm Bob Dole, I invented the internet so I have a link to everything.

Bob, as you have invented the internet, do you have the link for today sir?  Thanks in advance.

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5 hours ago, TBar1977 said:

FRL should start by hiring a sound engineer who understands how to level the volume of the various participants. Put the thing on a short delay and make it listenable.

Screaming, soft talking, screaming, soft talking doesn't work very well.

fair criticism. Tuesday's show was absurd. I was hoping they were going to come along in the afternoon and re-dub the Christian Pyles' parts so we would know wtf he was saying.

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5 hours ago, TBar1977 said:

FRL should start by hiring a sound engineer who understands how to level the volume of the various participants. Put the thing on a short delay and make it listenable.

Screaming, soft talking, screaming, soft talking doesn't work very well.

100% this. I think Nomad is the most egregious offender. I really like what he has to say, but he goes from soft spoken to 11 on the volume dial in an instant - and he does this ALL THE TIME. Like his outbursts are a common but very very annoying occurrence at this point. CP kind of does the same but it’s not as harsh as Nomad imo.

Willie does the same with the yelling sometimes, but I think part of his audio issues is that he joins the podcast from a streaming internet or cellular connection so he sometimes sounds unintelligible and garbled up and the sound quality and volume of his comments are all over the place.

KB is the best, he makes solid contributions to the discussion without blowing out our eardrums or speakers.

Edited by pamela

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5 hours ago, TBar1977 said:

FRL should start by hiring a sound engineer who understands how to level the volume of the various participants. Put the thing on a short delay and make it listenable.

Screaming, soft talking, screaming, soft talking doesn't work very well.

@JasonBryant clearly explained to them how to do this like a year ago.  things have gotten marginally better, but I agree it still gets painful when listening on headphones or trying not to blow out my iphone speaker 

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They just don't get it that its impossible to listen to when the volume oscillates back and forth from 2 to 22 every few seconds depending on who is speaking and what sort of agitated state of mind they are in at the moment. This is why sound engineers exist. Find one and pay them. 

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2 hours ago, TBar1977 said:

They just don't get it that its impossible to listen to when the volume oscillates back and forth from 2 to 22 every few seconds depending on who is speaking and what sort of agitated state of mind they are in at the moment. This is why sound engineers exist. Find one and pay them. 

How they don't understand this is maddening.  

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7 minutes ago, Mphillips said:

How they don't understand this is maddening.  

It will eventually cause me to just stop tuning in. I can easily get by on Askren, Inside Trip and Bloodround. Their content is good, but if they can't or won't fix this issue I am about done with FRL. It literally sucks listening to it anymore. They need to fix it already. 

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8 hours ago, TBar1977 said:

They just don't get it that its impossible to listen to when the volume oscillates back and forth from 2 to 22 every few seconds depending on who is speaking and what sort of agitated state of mind they are in at the moment. This is why sound engineers exist. Find one and pay them. 

All they need to do is use some basic automated limiter / compression plugins and they would improve dramatically I would think. I will listen almost no matter what, but it does get a bit hard on the ear-balls occasionally. 

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